When you read silently, are you really reading silently? Or, as some researchers hypothesized in a recent study, are you “making ‘sound’ in your head?”
The New York Times is reporting that Maurice Sendak has died at 83. In part because I shared a name with its main character, Where the Wild Things Are was a beloved book of mine. Sendak’s last book Bumble-Ardy, full of chaotic drawings of mischievous pigs, is a favorite of 19-month-old son’s. May Sendak’s bountiful imagination and heart live on for many generations in his books.
“Adrianne [Lobel] suspects that there’s another dimension to the series’s sustained popularity. Frog and Toad are ‘of the same sex, and they love each other,’ she told me. ‘It was quite ahead of its time in that respect.’ In 1974, four years after the first book in the series was published, [Arnold] Lobel came out to his family as gay.” On love and Arnold Lobel’s Frog and Toad.
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
It’s extremely difficult to keep up with all of the books being published each day, so many thanks to the New York Times for this list of the latest in science fiction and fantasy. Now seems like as good a time as any to remind you about our Great Second-Half of 2016 Book Preview since we still have a bit of time left in the year.