When you read silently, are you really reading silently? Or, as some researchers hypothesized in a recent study, are you “making ‘sound’ in your head?”
“It is early August. A black man is shot by a white policeman. And the effect on the community is of “a lit match in a tin of gasoline.” No, this is not Ferguson, MO.” Laila Lalami reports for NPR on rereading James Baldwin‘s Notes of a Native Son in the context of Ferguson. Pair with Teju Cole‘s essay in The New Yorker about rereading Baldwin’s “Stranger in the Village.”
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
This article on M.F.K. Fisher, the godmother of American food writing, should be catnip for those of you who like reading about food almost as much as eating it. A onetime French expat, Fisher conducted “a one-woman revolution in the field of literary cookery,” most notably with her collection of essays The Gastronomical Me. (Back in 2010, Jessica Ferri wrote about Fisher for The Millions.)
Did you know that a new Jonathan Safran Foer book is coming out this week? We didn’t until we saw a mention of it at Kottke. More surprising is the form of the book itself. Foer has created a new work called Tree of Codes by cutting out sections of one of his favorite books, The Street of Crocodiles by Bruno Shulz. The die-cut, Kindle-proof volume is the first major title by London-based Visual Editions. Vanity Fair has more.