“‘You can tell how serious people are by looking at their books,’ Susan Sontag told Sigrid Nunez.” The meaning of book shelves.
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
Granta has published translated writing from Nobel Prize winner Svetlana Alexievich. She writes: “In 1986 I had decided not to write about war again. For a long time after I finished my book War’s Unwomanly Face I couldn’t bear to see a child with a bleeding nose. I suppose each of us has a measure of protection against pain; mine had been exhausted. Two events changed my mind.” Find out more about Alexievich here.
The fall issue of Washington Square Review is now available online, featuring new work by Morgan Parker, Ron Padgett, Mariama Lockington, and interviews with Year in Reading alumnus Nick Flynn, Jenny Offill, Jericho Brown, and Henri Cole. Pair with this Millions profile of Flynn.
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)