“In contemporary capitalist societies, libraries stand out as slightly odd. While people are generally accustomed to going into a store and having to pay if they plan on leaving with something – in a library this relationship is quite different.” From AirBnB to Zipcar, startups premised on the so-called “sharing economy” tout themselves as radical and disruptive. Except that another institution – the public library – has been offering communal property for hundreds of years.
Not that the circumstances are always ideal, as our own Jacob Lambert attests in his “Open Letter to the Person Who Wiped Boogers on My Library Book.”
It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
Parentheses aren’t just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita‘s “My very photogenic mother died in a freak accident (picnic, lightning) when I was three.” Pair with: Vulture’s “The 5 Best Punctuation Marks in Literature.”