“Certain words have gone from being shocking to being neutered,” says Glamour editor in chief Cindi Leive, who has embraced the printing of “vulgar words” on her magazine’s cover since November of 2011. Ms. Leive is one of several women’s magazine editors who believe “magazines are catching up with other media, where women have been using explicit language for years.”
“I’ve turned paranoid lately. When I’m in an airport, I look at the people around me at the gate, trying to suss out who might make a good ally if things went bad. I carry two plastic tubs full of warm clothes, hiking boots, and first-aid supplies in the back of my Subaru at all times. I have as large a volume of canned and dry goods in my pantry and laundry room as the shelves will hold.” Rebecca Onion for Slate on the appeal and contagion of “prepper fiction.” Pair with our review of Claire Vaye Watkins‘s Gold Fame Citrus, one of the recent bumper crop of apocalyptic narratives.
“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.
The short shelf of books written by Jane Austen has been recently supplemented by many imaginative efforts–Jane Austen as an amateur detective, and several works depicting Austen characters (or Jane herself) as a vampire, a zombie or some other Gothic monster. So what’s next? Death Comes to Pemberley by P.D. James is Pride and Prejudice continued.