Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.
Helen Vendler is one of those rare scholar-writers who doesn’t adhere to a particular school of theory. In her new book of essays, she explains her view of criticism as distinct from both philosophy and scholarship, as a form of learning that’s inherently “unsystematic and idiosyncratic.” In Open Letters Monthly, Jack Hanson reads through the book. You could also read Jonathan Farmer on Rita Dove’s letter to Vendler.
Both Ed and the Washington Post interview Tobias Wolff on the occasion of the release of his new collection, Our Story Begins.Bookride chronicles some of the most unlikely and amazing discoveries in the history of book collecting. In part one, he discusses many runners-up – including “An incredible collection of modern first editions, mostly fine in jackets turned up in the 1980s in a shed in the Australian desert causing dealers to fly in from New York, Berkeley and Santa Barbara.” Part two covers the greatest find. It begins “In 1907, during his second expedition to Chinese Central Asia, Sir Aurel Stein, a Hungarian-born British archaeologist, encountered a monk who showed him a hoard of manuscripts preserved in a cave near Dunhuang.”In BOMB, Zachary Lazar and Christopher Sorrentino discuss Lazar’s book Sway. Lazar appeared in our Year in Reading.You may have to wait ten years for the rest of it, but Junot Diaz gives readers a sneak peak at his next novel at Omnivoracious.Baseball predictions, highly personalized.J.K. Rowling, now retired from writing about a boy wizard, has embarked on the next step of her career, protecting her legacy. First up is a lawsuit against a companion book written by a superfan librarian. But, as the Times seems to indicate with its account of the trial, that way madness lies: “The librarian, Steven Jan Vander Ark, had the mild-mannered demeanor of Ron Weasley, and the intelligence, charm – and haircut – of Harry Potter. Even his name sounds like that of a character in one of the books, if preceded by “Lord” or “Master.” Although, at 50, he is older than Ms. Rowling, 42, he looked like a schoolboy, with an unlined face and caramel-colored hair parted down the middle.”
“I never started out as a children’s book artist. What is a children’s-book artist? A moron! Some ugly fat pip-squick of a person who can’t be bothered to grow up. That’s the way we’re treated in the adult world of publishing.” The Believer interviews the late Maurice Sendak, who passed away last May.
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.