Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.
At the Ploughshares blog, Erinrose Mager interviews Year in Reading alum Rick Moody, who talks about his classes at NYU and why he prefers “the mentorship model” of teaching writing over the workshop model. (Related: our founder C. Max Magee reviewed Moody’s book The Diviners back in 2006).
As some of you may have heard, a handful of pioneering companies are trying to use flying robots in place of cars for deliveries. In the Bay Area, the geniuses behind Tacocopter are blazing a new path for restaurants, while in France, the postal service in Auvergne is working on a system for newspapers. (Fingers crossed that somebody will try this with lit mags.)
The Occupy Wall Street movement has been going on for seven months now, and it’s the subject of a new book entitled The Occupy Handbook. Over at The Daily Beast, you can check out an excerpt in which The Big Short author Michael Lewis interviews himself about his thoughts on the occupation.
“Between 1990 and 2014, visits to public libraries grew by a whopping 181%. For context, the population of the United States increased by 28% during that period.” Why the library boom? (via The Digital Reader) See also this paean by Daniel Penev in our own pages,“The Library Is Dead. Long Live the Library!”
World-building is an essential part of any story, but what about map-making? At Book Riot, two cartographers explain how they create the maps we see inside books. One cartographer’s perspective: “I really wanted to make a map that could easily be an artifact from the world of the book…. I came up with the idea that the map could be a page ripped from an atlas, and someone had written notes on it.” See also: Rob Goodman’s essay for the reader on world-building and its relationship to reality.