Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.
The Harry Ransom Center in Austin, Texas made headlines when it acquired the David Foster Wallace archives. Now it's added another high profile author to its collection: J. M. Coetzee.
The New York Public Library’s research collection will be moving to an impressive concrete bunker beneath Bryant Park (instead of the much protested option—New Jersey). Our own Michael Bourne writes about how the subway car, once a rolling library, is transitioning to digital.
"Ms. Hazzard’s fiction is dense with meaning, subtle in implication and tense in plot, often with disaster looming: A shipwreck tears away the parents of tiny children. A man who has waited a lifetime for a woman loses her at the last moment." Novelist Shirley Hazzard, whose several books – including The Transit of Venus and the National Book Award-winning The Great Fire – received much acclaim, has died at 85, reports The New York Times. Also worth reading, her "Art of Fiction" interview with The Paris Review from 2005.
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov's Speak, Memory and considers "the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order." Pair with our own Garth Risk Hallberg's piece on reading Ada, or Ardor.