Times drink columnist Rosie Schaap discussed Drinking With Men in the pages of The Observer. Meanwhile, Derek Brown has some advice for bartenders across the country: for the love of all that is holy, stop inventing so many new, wild drinks!
On Cocktails, Camaraderie, and Chaos
From Fantasy to Allegory
“Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another.” Neil Gaiman reviews Kazuo Ishiguro‘s The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro’s talk with The Telegraph about the 10 years since the publication of Never Let Me Go.
That Moment When
“I can still remember with complete clarity the way I felt when whatever it was came fluttering down into my hands that day 30 years ago on the grass behind the outfield fence at Jingu Stadium; and I recall just as clearly the warmth of the wounded pigeon I picked up in those same hands that spring afternoon a year later, near Sendagaya Elementary School. I always call up those sensations whenever I think about what it means to write a novel.” Haruki Murakami on “The Moment [He] Became a Novelist,” excerpted on Lit Hub from the new double edition of his first novels, Wind/Pinball.
Jack Gilbert Dies at the Age of 87
Jack Gilbert died yesterday at the age of 87. Gilbert was the author of five standalone poetry collections—as well as additional collected volumes such as last March’s Collected Poems—and he was also a past winner of a National Book Critics Circle Award. For The LA Times, John Penner reviews the poet’s legacy. Or, perhaps as fitting tribute to Gilbert’s life and work, better to hear his own final lines to the poem “Failing and Flying”: “I believe Icarus was not failing as he fell, / but just coming to the end of his triumph.”
Let Me Stand Next To Your Cahiers
The NYRB Blog offers a selection from Animalinside, the very cool collaboration between illustrator Max Neumann and the great Hungarian novelist László Krasznahorkai. Colm Toibin provides an introduction.