Times drink columnist Rosie Schaap discussed Drinking With Men in the pages of The Observer. Meanwhile, Derek Brown has some advice for bartenders across the country: for the love of all that is holy, stop inventing so many new, wild drinks!
On Cocktails, Camaraderie, and Chaos
“Pointless and trivial.”
“Where, more importantly, is the story? David simply is. He does nothing, desires nothing. He exists, if that, and nothing more.” Shalom Auslander judges the prestigious Three Under Three prize.
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a hectic, unblanced life
D.T. Max’s forthcoming David Foster Wallace biography, Every Love Story is a Ghost Story, has been excerpted in Newsweeek magazine, and you can read it online.
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The Vulture Circles
New York magazine’s Vulture Reading Room series, featuring Sam Anderson and others, dares to take on Dan Brown’s The Lost Symbol. The verdict? Brown’s stylistic overreach is still good comic fodder for discerning readers.
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The Art of Literary Readings
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.
A Suitable Adaptation
“We are here to take creative risks and to do the sort of work that commercial broadcasters might be more reluctant to do. But we also have a real responsibility and a requirement to reflect a range of British communities.” Bestill our hearts, the BBC is adapting Vikram Seth‘s A Suitable Boy as its first period drama with a non-white cast, reports The Telegraph. Our own Lydia Kiesling described Seth’s epic as “a spectacularly romantic novel, weddings all over,” but noted sadly that “it portends falling in love with the man you can marry, in lieu of the one that you can’t.”
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What Improv Can Teach You about Writing Humor
Elissa Bassist took an intro improv class and used what she learned to create some rules for writing funny fiction. (Thanks, Rachel)
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No Fanfiction, Please
For those of you who were not on Twitter yesterday, the novelist Elizabeth McCracken tweeted a series of tips for applying to MFA fiction programs. Among other bits of good advice, she says it’s generally best to apply with a solid short story rather than a novel chapter.
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