Dieting tips from Muriel Spark.
Much fuss was made about Barack Obama’s ex-girlfriends this week, as an excerpt from David Maraniss’ forthcoming Barack Obama: The Story was published in Vanity Fair. Of course, we sophisticated book readers care less about the man’s old flames than we do his literary pursuits, right? That’s why Mr. President’s analysis of T.S. Eliot’s poem “The Wasteland” is so interesting.
Recommended Reading: For the writers who make coffee for their day jobs, Lucy Schiller discusses the burden of being happy all the time as a San Francisco barista in “Service with a Smile.” The essay is the first in a weekly series by The Riveter, a magazine spotlighting original longform journalism by women. Pair with Jason Diamond’s essay on being mistaken for a professional barista.
As the 20th century wore on, the Strugatsky brothers grew pessimistic about Soviet Communism, eventually turning their fictional worlds from socialist utopias to dystopias. Their most famous early novel, Noon: 22nd Century bears little resemblance to later works like Hard to Be a God, which implicitly criticizes the Soviet government. At The Paris Review Daily, Ezra Glinter charts their evolution.
This essay by Mensah Demary for Electric Literature on Nas and the literary legitimacy of hip-hop is the best thing you’ll read this morning. “Nas is a world-class storyteller and practitioner of the narrative form,” Demary writes, “I don’t understand why there isn’t more discussion around hip-hop’s literary value among today’s millennial-and-boomer intelligentsia.”
“When Michael reads in one of the society columns that are hilariously reprinted here, misspellings and all, that Astrid’s jewels aren’t blingy enough, he flies into a fury of inadequacy. This leads him to try to buy one of Singapore’s rarest architectural masterpieces and turn its ground floor into a museum for his car collection, which includes a car from Ferris Bueller’s Day Off; fortunately, his offer is turned down.” On Kevin Kwan’s China Rich Girlfriend.