The moral conundrum that can be the white hip hop critic.
There’s been an incredible amount of both excitement and controversy ever since Harper Lee‘s publisher announced the upcoming publication of Go Set a Watchman, the reclusive author’s second novel. But in a piece for Ploughshares Cathe Shubert wonders “Why not marvel at what all this hullabaloo in the news really signifies: that books still matter, deeply, to the American public–especially books that spark dialogue about interracial relations, justice, and, as Atticus would say, walking in another person’s shoes.”
Recommended Reading: A fascinating interview from The Rumpus with Susan Shapiro. Shapiro’s newest novel, What’s Never Said, is out now from Heliotrope Books. You may also be interested in Beth Kephart‘s essay for The Millions about the utility of the outward-looking memoir and its crossover with other genres.
“The stories that dominated the serious magazines and journals seemed to share a flat fireless quality… Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world.” In case you missed it: Slate’s review of Stuart Dybek‘s new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current “revitalization” of the American short story.