“But where Smiley condescended, others were enthralled. Salmon Rushdie waxed lyrical, John Updike found it ‘stunning,’ Susan Sontag hosted him at dinner parties. Gabriel Garcia Marquez dubbed him, simply, ‘the Master’ – high praise from the founder of magical realism, but Kapuściński seemed to one-up Garcia Marquez by injecting magic into real politics, and elucidating thereby the human tension and bewilderment connected to power that traditional journalism left hidden.” Ryszard Kapuściński: novelist? Journalist? Or something else entirely?
We tend to assume that life stories, in mentally healthy people, are concrete things, assembled from events that are hard to twist or distort. Yet all of us shape our own stories in ways we can’t always see. At The Atlantic, Julie Beck explores the idea that life stories, as we construct them, form integral parts of our personalities.
You may have read some portion of the infamous Watergate transcripts. What you probably haven’t read is quotes from the transcripts rearranged into poetry. At The Paris Review Daily, a few representative poems by Richard Nixon, including “I Can’t Recall,” “The Position” and “In the End.” You could also read our own Michael Bourne on Thomas Mallon’s book Watergate.
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
Remember a few weeks ago when Paul Bogaards was kind enough to list us onto his Hierarchy of Book Publishing: The Top 100? We were entry no. 67, not nearly so powerful in the book publishing world as the original publisher of Kathryn Stockett’s The Help, Amy Einhorn; her hair was entry no. 4. Though we were deemed slightly better than New Jersey, which was listed at no. 68. We even posted a curiosity about it. Well, the New York Observer’s got a follow up piece on the joke, and is calling the original Tumblr post a flame out. Bogaards takes a different tack, saying that his Twitter and Tumblr streams are “a curation of industry anxiety. Interspersed with humor. And cocktails.”