“Researchers at the University of Manchester’s John Rylands Library have stumbled upon a treasure trove of works by poet and artist William Blake.”
“James Schiff, an associate professor of English at the University of Cincinnati, is working on a volume of Updike’s letters and has unearthed thousands of letters, postcards, and notes the author sent to complete strangers who wrote to him.” The Guardian writes about an in-progress book of John Updike‘s letters that reveals how often the writer corresponded with not only his contemporaries, like John Barth and Joyce Carol Oates, but his readers as well. See also: an essay about the personal and literary relationship between Barth and Updike.
Congratulations to our own Garth Risk Hallberg, who was a finalist for the Nona A. Balakian Citation for Excellence in Reviewing, awarded by the NBCC. Critic William Deresiewicz took home the prize. We wrote up the finalists in the fiction and non-fiction categories yesterday.
The 2017 Whiting Award winners were announced tonight at a ceremony in Manhattan, and this year’s list of ten honorees includes Francisco Cantú (The Line Becomes a River), Simone Wright (Of Being Dispersed), Phillip B. Williams (Thief in the Interior), Kaitlyn Greenidge (We Love You, Charlie Freeman), Tony Tulathimutte (Private Citizens), Jen Beagin (Pretend I’m Dead), and Lisa Halliday (Asymmetry) as well as playwrights Clarence Coo, James Ijames, and Clare Barron. The award, which recognizes early-career writers of fiction, nonfiction, poetry, and drama, comes with a $50,000 prize. Excerpts from each writer’s work can be read at The Paris Review.
The Morning News Tournament of Books is around the corner (less than two weeks away, in fact) and readers can now download the bracket (pdf), print it out, and start scribbling in their picks. Along with the bracket, Andrew Seal offers up an array of intriguing statistics from past tournaments. So, now that you can make an educated guess, Who do you think is going to win this year?
Edvard Munch’s The Scream recently garnered a record breaking $119.9 million at Sotheby’s in New York. Despite the “tasty narrative potential” of the iconic artwork, the Pulitizer Prize winning art critic Holland Cotter thinks that the painting’s new owner spent their vast sum of money unwisely.