“There is a possibility of your having a decent attitude toward people and work. That alone may make a man of you.” Wise words from Sherwood Anderson.
New Directions has just released The Complete Stories of Brazilian legend Clarice Lispector, newly translated by Katrina Dodson and edited by Benjamin Moser. There are eight stories in the collection that had never before appeared in English: “Covert Joy,” “Remnants of Carnival,” “Brasília,” “Beauty and the Beast or The Big Wound, “One Day Less” (one of the two final stories left in manuscript at Lispector’s death), “Gertrudes Asks for Advice,” “Another Couple of Drunks,” and “The Escape.” Check out Magdalena Edwards‘s Millions review of the collection.
Allan Gurganus commemorates the 100th anniversary of his teacher and friend John Cheever’s birth. “Cheever, now unfairly known as the gloomy, sodden satyr of suburbia,” Gurganus writes, “was at least rarely gloomy. Fact is he was more fun per minute than is legal in a nation this Republican.”
“We’re going to prove that I can sell more books than Amazon,” Stephen Colbert announced during his show this week. And he’s going to do it by encouraging his audience to purchase California, the new novel by Millions staffer Edan Lepucki. On his website, Colbert has partnered with beloved Portland-based indie Powell’s Books to offer not just Edan’s novel, but also a downloadable pack [PDF] of stickers proudly proclaiming “I DIDN’T BUY IT ON AMAZON.” (For your part, you can also order the book on Barnes and Noble, Word Brooklyn, or your local bookstore and the stickers will still apply.) (Bonus: You can read the first chapter of the book over here.)
“Three weeks before she died on July 25, 2012, Marcia (Marty) Brown Stern ’54 sent me a registered letter, which began, ‘What is enclosed may astonish you.’ Indeed it did. The envelope included a draft of ‘marcia,’ an unpublished poem that Sylvia Plath ’55 wrote about their sophomore year together at Smith College in 1951.”
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”