Adorable pictures of baby hippos aside, it’s a common misconception that animals are “smiling” at you out of sincere happiness. Probably you’re projecting that onto them, writes Lee Dye in a piece from 2010. For more on the perils of assigning human qualities to other animal species, I highly recommend checking out Jeffrey Moussaieff Masson and Susan McCarthy’s When Elephants Weep.
“I thought quite a lot about the vocabulary of tourism, the kinds of desires that vocabulary seems designed to ignite, and the promises made, and how those promises change or vanish altogether depending on who you are.” The Paris Review interviews Laura van den Berg about writing, tourism, and her new novel, The Third Hotel. From our archives: our 2015 interview with van den Berg.
There’s been an incredible amount of both excitement and controversy ever since Harper Lee‘s publisher announced the upcoming publication of Go Set a Watchman, the reclusive author’s second novel. But in a piece for Ploughshares Cathe Shubert wonders “Why not marvel at what all this hullabaloo in the news really signifies: that books still matter, deeply, to the American public–especially books that spark dialogue about interracial relations, justice, and, as Atticus would say, walking in another person’s shoes.”
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.