Gavin Aung Than took Walt Whitman’s poem “When I heard the Learn’d Astronomer” and adapted it into illustrated comic book panels. This is the second time Than has illustrated the poet’s work.
Illustrated Whitman
Carrots: Lies and Truth
When I was young, my mother always told me I should eat my carrots so my vision would improve. For twenty four years, I’ve obeyed. But now it seems I’ve been living a lie all this time. (Bonus carrot link: the most common type used to be purple, but orange was normalized to please the Dutch monarchy.)
●
●
“A different order of debut”
Hats off to our own Edan Lepucki for being named a Face to Watch by the LA Times! In an article, David L. Ulin says Edan’s upcoming novel is “steeped in southern California narrative tradition” and describes how a drive along Sunset Boulevard inspired the setting of the book. (You can catch up on Edan’s work by looking through her archive.)
●
●
Virginia Woolf Gazes Backward
Lauren Groff takes a closer look at Virginia Woolf's second novel, Night and Day, which has a noticeably different tone than her other books.
●
●
●
The Millions Turns Nine
The Millions turned nine years old this past weekend. I want to thank the writers, editors, and interns for another great year. And I especially want to thank our smart, passionate, and engaged readers for continuing to make The Millions such a fulfilling project for all of us.
●
●
Back in the High Life Again
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
●
●
Nice Nonfiction
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.