“During various periods of my life I have succumbed to the siren call of sleeping pills. It is hard to resist their promise: one tablet, and your night will be purged. Your brain may be in overdrive, its receptors working away, hungrily awaiting more images and information, but like a computer it is forced into another mode. Yet the little white disks with a dent down the middle are no panacea; whenever I take one of these thought guillotines I feel trapped in a grey zone, seesawing between mid and shallow slumber, mind and body dulled but not of their own accord.” A lifelong insomniac recounts her long struggle with the illness.
Hey Dr. Sandman
Witty Pun of Some Kind
“In addition, irrelevant and misleading personal anecdote. However, oversimplification of first Googled author (citation: p. 37). Thesis statement which doesn’t follow whatsoever from the previous.” A generic college paper.
W Memoir on the Way
The Decider will be offering his version of the Presidential memoir with Decision Points (sounds like a thriller, no?) due on November 9. (One week after mid-term elections)
Constraint-Based Poetry: Round Two
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
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You’ve Been Sleeping on Romance Novels
“While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality.” Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.
Travelogue
Recommended: Year in Reading alumna Sheila Heti on her time at the Cuirt Literary Festival.
The Art of Fiction No. 207: Jonathan Franzen
“I’ve never felt less self-consciously preoccupied with language than I did when I was writing Freedom.” Lorin Stein introduces The Paris Review’s new Winter issue, and includes excerpts from the Art of Fiction interview with Jonathan Franzen.