Some readers wanted more genre titles to appear in our Great 2013 Book Preview – even though, cough cough, literary fiction is a genre. Well, perhaps this will sate their cravings. Charlie Jane Anders rounded up 54 books she and the rest of the io9 writers are “dying to read in 2013.”
This week saw the release of Vanishing Point, Vol. II: Songs of the Living and Dying. You may recall my earlier mention of the Vanishing Point project, which was recently borne out of Duke University’s Center for Documentary Studies. This time around, the publication boasts a redesigned appearance, and it features articles and essays about midwifery in Mali, the intersections between poetry and cinema, and a view of Walden Pond that you’ve never seen before — all presented with accompany visual material, and all produced by university students. This is outstanding stuff, and it’s well worth your time.
Fancy a stroll? Flaneur, a new Berlin-based magazine, profiles one street per issue. It explores the culture, literature, people, and landmarks that make each street unique. The first is Berlin’s Kantstrasse. Pair with: Hyperreal Cartography, a tumblr of “real maps of places that exist but don’t.”
New this week: The Dying Grass by William T. Vollmann; Kitchens of the Great Midwest by J. Ryan Stradal; Gonzo Girl by Cheryl Della Pietra; How to Be a Grown-Up by Emma McLaughlin and Nicola Kraus; Crooked Heart by Lissa Evans; and The Night Stages by Jane Urquhart. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.