Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d’Angoulême – the largest comics festival in Europe – concerns the “volley of riches and failure from the desk of an obituary writer.” As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
In an article for Vanity Fair, Meredith Turtis argues that “perhaps fiction… can change the place women have in history,” by giving forgotten figures new lives as characters with fascinating stories to tell. She cites Paula McClain‘s just-released Circling the Sun, about a trailblazing female aviator, and Megan Mayhew Bergman‘s Almost Famous Women, which could have been included based on the title alone. Her argument pairs well with our own Hannah Gersen‘s review of Jami Attenberg‘s Saint Mazie, a novel that fictionalizes the life and voice of a very real “Bowery celebrity.”
The reach of literary Brooklyn grows ever larger, as local hub BookCourt mounts a $300,000 campaign to convert the “Bibliobarn,” 160 miles north in the Catskills, into a “bookshop, event space, and writers’ retreat.” Upstaters, lock up your house-cured salume and artisinally sharpened pencils!
Is “the two-person collaboration… the essential creative act”? Joshua Wolf Shenk thinks so, and he’s written a book defending his position, aptly titled The Powers of Two: Finding the Essence of Innovation in Creative Pairs. While John Lennon and Paul McCartney are his primary examples and the root of his argument, famous author duos are also referenced – C.S. Lewis and J. R. R. Tolkien, for one. Shenk even “works to transform even famously lonely figures — Rainer Maria Rilke, Emily Dickinson, Martin Luther King Jr. — into one side of a duet.” Consider us skeptical but intrigued.