Chante, You Stay

January 30, 2013

Over at the Los Angeles Review of Books, Alexander Stein takes a look at lip-syncing, gender performativity, and the greatest television show ever made, RuPaul’s Drag Race.

is an intern for The Millions. She is a writer and recent graduate of Smith College living in Cambridge, MA. She blogs at

Add Your Comment:

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.