“America has always been able to countenance beggars, short-con men, and nine-to-fivers who just can’t get ahead, but we’ve never known what to do with the type of person who could have been really big but chose not to make the concessions required.” The Believer takes a look at the paradox of Nelson Algren.
Can’t-Do Spirit
Education in America
In The New York Review of Books, Anthony Grafton has a long piece on the issues facing the American university system. I’ve previously linked to Malcolm Harris‘ excellent n+1 piece on the “higher education bubble,” but this infographic vividly illustrates that same inflation.
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Makes Excel Seem Like a Breeze
Hate your job? At least you’ve never been Stanley Kubrick’s secretary: “Instead of having [‘All work and no play makes Jack a dull boy’] typed on only the few sheets seen by viewers, the director asked his secretary Margaret Warrington to type it on each one of the 500-odd sheets in the stack. What’s more, he also had Warrington type up an equivalent number of manuscript pages in four languages—French, German, Italian, Spanish—for foreign releases of [The Shining].”
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Garth Greenwell on Being a Mystery to Yourself
Garth Greenwell discusses the narrator of his two novels, who repeatedly "undergoes a process of coming into self-knowledge."
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Breaking Point
One of the better reasons you should read this review of the new book Breakfast with Freud is this quote, in reference to a Lucian Freud painting: “Robert Hughes compared [Francis] Bacon’s face in it to ‘a hand grenade on the point of detonation.’”
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History Lesson – Part II
Who would have predicted, when an unassuming history of post-punk called Our Band Could Be Your Life was published in 2001, that we’d be celebrating its tenth anniversary with concert blowouts and Paris Review Daily interviews? Most anyone who read it, that’s who.
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YA Origins
There’s been a lot of talk about Young Adult writing lately – we’ve covered it here and here and here – but where did YA come from, anyway? The New Yorker profiles writer S.E. Hinton, whose debut novel The Outsiders launched the genre, by way of answer.
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