Laura Miller discusses what she didn’t read this year.
In addition to the fact Amazon reviewers and experts agree "in aggregate about the quality of a book," non-professional reviews on Amazon tend to be "more eclectic," "more supportive of debut authors," and less biased in favor of authors with whom they associate than media experts.
In the latest edition of By the Book, Neil Patrick Harris explains his love of Gone Girl, Steve Martin, and John Kennedy Toole's A Confederacy of Dunces. We’ve written about the series in the past -- you might want to look back on the entries by Neil DeGrasse Tyson and Colson Whitehead.
A while back, I noted that Moleskine was preparing an initial public offering on the Italian stock exchange. Well, now the time has come. On April 3, you will be allowed to buy shares of the notebook company (and perhaps keep records of them within your Moleskine). If you’re interested, you might want to read up on the company’s history – and also on how to pronounce its name.
"Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?" Roxane Gay reviews Joyce Carol Oates's The Sacrifice and simultaneously explains how to write difference well. Hint: it "demands empathy, an ability to respect the humanity of those you mean to represent."
What I didn’t want was for my book to become a trauma narrative or a healing narrative that would be touted as merely a testament to love. It’s not meant to be only an uplifting and inspirational piece of literature. I’m tired of the type of memoir that just shows you its scars and wants you to feel sympathy for it. This is not that kind of memoir." Garrard Conley interviewed over at Electric Literature in conjunction with the release of his new memoir, Boy Erased.