Beth Carswell takes a look at sixty years’ worth of James Bond book designs. Which one is your favorite?
“If you want to be grateful for something today, be grateful for that: Ebola doesn’t fly,” according to a 2012 NYT op-ed. (Ok, so that’s not true, but you’re still probably safe.) If you (like me) have been obsessively re-watching that infected American patient walk into his hospital in Atlanta, I’d like to suggest you (I) first relax, and then indulge your (my) Ebolapocalypse fears elsewhere, e.g., a roundup of the 14 best pandemic novels according to Slate, 11 from io9, 22 from Bookshop, or all 1,000+ at Goodreads.
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.
In 1847, Charles Dickens founded a house for homeless women in the Shepherd’s Bush neighborhood of London. After setting up the center’s amenities, he publicized the house using leaflets and, upon hearing that London society was shocked that the center had a piano, spread a rumor that the center boasted a piano for every resident. At The Guardian, a look at a letter Dickens wrote to the matron of the house, to be sold at Christie’s in May. (h/t The Paris Review)
In order to prolong the conversation around his Atlantic cover story, “The Case for Reparations,” Ta-Nehisi Coates recently took to Twitter to engage in a Q&A session with his readers. You can scroll through the entire exchange over here. Coates was also interviewed by Ezra Klein for Vox this week, and the resulting video is probably the most valuable piece of content that site has produced since its inception.