A pair of big-name writers have new shorter-form ebook originals out. Stephen King’s Guns is a “pulls-no-punches essay” about gun violence in America, with all proceeds going to Brady Campaign to Prevent Gun Violence. Meanwhile, Richard Russo has a new novella, Nate in Venice.
Big Names, New eBooks
Davis Illustrated
Check out an illustrated adaptation of Lydia Davis’s “In a House Besieged” by Roman Muradov at The Paris Review Daily. Pair with a piece on Davis’s short short stories and Twitter.
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Jami Attenberg on the Call of Family
In her new novel, All This Could Be Yours, Jami Attenberg examines a family emerging from the shadow of their power-hungry patriarch
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VQR Debuts Redesigned Website, Lifts Paywall
The Virginia Quarterly Review launched their redesigned website this week, and it’s a sight to behold. To celebrate the occasion, the magazine has dropped its paywall through Valentine’s Day, so start exploring. I recommend starting with Kevin Young’s recent poem, “There Is a Light That Never Goes Out,” which he composed entirely out of song lyrics.
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Moving Beyond Mary Shelley
Rachel Feder considers why Mary Shelley is often credited as the "ingénue inventor of speculative fiction," while Margaret Cavendish remain relatively unknown.
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Tuesday New Release Day
Laura Miller of Salon recommends Tana French’s new crime-fiction novel Faithful Place: “makes Philip Marlowe’s L.A. look like a church picnic. French herself doesn’t play by the rules…” Also out recently is a new edition of James Salter’s short story collection Dusk and Other Stories, with a new introduction by former Paris Review editor Philip Gourevitch.
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A Change in Tone
In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.