Editors and critics at The Washington Post put together a sixteen-image slideshow of books “to help introduce” our nation’s capital. This seems like the perfect excuse to try out my new favorite thing on the internet: the Slideshow De-Slide-ifier by ClusterFake.
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)
“Everyone was compared to García Márquez or Fuentes once upon a time. Now it’s Bolaño or Vila-Matas (best case scenario). I am not sure what the reason for this is. There are many possible explanations. One may be that Latin America is still conceived by many as a kind of remote, torrid zone, an isolated and disconnected region of the world. So the only possible references associated with younger writers are the better-known older ones, always writing within the same language.” Over at The White Review, Stephen Sparks interviews Valeria Luiselli about Latin American criticism and borrowing from the past. Also check out Lily Meyer’s Millions review of Luiselli’s new novel, The Story of My Teeth.
“Here’s a challenge for you: find a book jacket that features an image of a woman over 40.” Despite being one of the biggest consumers of books, The Guardian writes about the lack of middle-aged women on book jackets. Pair with: an essay on the sexy-backed, faceless-woman book cover trend.