This year marks the second anniversary of Asymptote, an international journal focusing on literature in translation. The staff is commemorating the occasion by hosting a series of events in eight different locales around the globe: Beijing, Barcelona, Berlin, Islamabad, Chicago, Taipei, Singapore and New York City. Folks attending The Big Apple’s event on January 20th will get to see Millions contributor Reif Larsen live in action alongside Cole Swensen, Paul Legault, Adam Sorkin, and Ariana Reines.
Don't forget to return your library books in Texas. This year an Austin man was arrested for failing to return a GED study guide that was three years overdue. Fines and arrest warrants are the new way to break even in towns with shrinking budgets. Other states, such as Iowa, Vermont, and Maine, are joining in.
Edward "The Godfather" Thorp has been widely recognized as the "father of card counting" since the publication of his bestselling book Beat the Dealer in 1962. Today, at 70 years old, the man's impact on the card game is ubiquitous, but perhaps nowhere moreso than at Las Vegas' annual Blackjack Ball.
“Per one estimate, 96 of the 154 sonnets credited to Shakespeare contain rhymes that have since been lost to linguistic history.” The Atlantic writes on why we should be laughing more when we read Shakespeare. If you’d prefer to revere him, here’s a piece on Shakespeare as God.
Maybe nobody read your first, or last, most recent or only book, but writer, take heart: nobody read the work of these 10 great authors either.
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.
If consecutive profiles in The New York Times and The New York Review of Books are any indication, the reopening of Moscow's Bolshoi Theatre is a very big deal. To celebrate from the comfort of your chair, however, you can listen to the overture from Pyotr Ilyich Tchaikovsky's opera The Voyevoda, which opened in the Bolshoi in 1869.