A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
We’re thrilled by the early buzz surrounding Epic Fail, our first Millions Original eBook. You can learn more about the project courtesy of The New York Times, The Los Angeles Times and Teleread. Of course, you could learn even more about the project by purchasing a copy of the book.
A while back, I wrote about Dear Committee Members by Julie Schumacher, which may be the first novel in history written entirely in the form of recommendation letters. Now, at The Rumpus, Anjali Enteti sits down with Schumacher, who talks about writing by hand, the adjunct crisis, and why it’s okay that so many people are getting MFAs. You could also read our own Nick Ripatrazone on why MFA grads should teach high school.