The problem with memoir is well-known. What’s less well-known is the problem with the problem with memoir.
And The Problem With That Problem
Different, Quieter Passions
“It soon emerged that there is a uniquely British brand of feeling, a blend of distress and composure marked by a touching compulsion to keep up appearances in the face of interpersonal dissolution. For all its prevalence and subtlety, this mode of engagement is difficult for the uninitiated to decipher or even to discern, and I would have remained oblivious of it if not for the works of Dame Iris Murdoch, a connoisseur of British emotional life in all its baffling permutations.” On Iris Murdoch and the British brand of distress and composure.
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Artists and Writers Protest at TIFF
1,500 writers and artists signed a protest letter, “No Celebration of Occupation,” against the Toronto International Film Festival’s decision to spotlight the city of Tel Aviv. (from Democracy Now)
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Sarah M. Broom on Unfinished Work
"The unfinished work is no less real, or necessary, or powerful than the book," Broom says in a recent Whiting Foundation speech.
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Tom Wolfe on “The Human Beast” and its Kingdom of Speech
Tom Wolfe’s next book will be a “nonfiction account of the animal/human speech divide,” reports Sarah Weinman. Presumably this effort – entitled The Kingdom of Speech – will be based on the author’s “Human Beast” lecture from 2006. (A lecture he went on to explicate in a 2008 interview with SF Gate.) Hopefully the Great White Suit’s return to straight nonfiction will prove more successful than his attempt at fictionalizing Miami last year.
fragment:story
If you know what the phrase “hypertext story” means, you’re likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.
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