Back in the mid-aughts, The New Pornographers were known for having a large number of members with impressive (and exhausting) solo careers. As part of The Rumpus’ Albums of Our Lives feature, Ryan Werner remembers Middle Cyclone by Neko Case.
The Iowa Writers’ Workshop turns 75 this year. To celebrate, a number of alumni are writing essays on their experiences for various blogs (as well as ours!) as part of The 75th Project. At The Los Angeles Review of Books, Kevin Brockmeier has comprised “A Chronological List of Statements People Made to Me at the Iowa Writers’ Workshop, 1995-1997.” Additionally, Joyelle McSweeney has a piece on n+1‘s website entitled “Iowa Occult: a Mütter Pedagogy; Or How I Learned to Stop Worrying & Vomit Art.”
In a Simpsons episode from the late nineties, Lisa Simpson, concerned that her mental skills may be deteriorating, manages to finagle her way onto a local TV news broadcast, where she urges the residents of Springfield to read two books: To Kill a Mockingbird and Harriet the Spy. At first glance, the two novels might not seem to have that much in common, but as Anna Holmes argues in a blog post for The New Yorker, the books share “ideas about the complexity, sophistication, and occasional wickedness of young girls’ imaginations.” (You could also read our own Garth Risk Hallberg on Malcolm Gladwell and To Kill a Mockingbird.)
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”