At The Paris Review, a remembrance of Evan S. Connell, whose work has been cited as an influence by Jonathan Franzen, Lydia Davis and Zadie Smith.
A few weeks ago, I let you know about The Guardian’s new series spotlighting the best 100 nonfiction books of all time. Today, we have a curious addition to the list: Ted Hughes’ 1997 collection Birthday Letters. Here’s a bonus Millions review of Jonathan Bates’ controversial new biography of Hughes, Ted Hughes: The Unauthorised Life.
Are you reading this because you’re procrastinating? Do you happen to be a writer? We thought so. At The Atlantic, Megan McArdle explores why writers are the worst procrastinators. Hint: It’s because we have a bad case of imposter syndrome. This isn’t the only theory on why we procrastinate, though.
“Her exchanges with Americans in small towns and rural communities are inspiring an appreciation of poetry and history – and remind us that poetry has value for all of our lives.” The Library of Congress appointed Tracy K. Smith to a second term as the 22nd Poet Laureate Consultant in Poetry for 2018-2019. For her second term, Smith edited an anthology called American Journal: Fifty Poems for Our Time, which will be published by Graywolf Press in association with the Library of Congress. Pair with: our review of Smith’s memoir, Ordinary Light.
In his write up here of an important, but overlooked essay on copyright by Lewis Hyde, guest contributor Craig Fehrman noted that the Hyde essay had been downloaded only 746 times in nearly four years. Now, after the piece here about it, and subsequent linking by Boing Boing, the essay is the second most popular on the Social Science Research Network.
Next week, the folks at Literary Death Match are bringing literature into the third dimension by staging “LDM TV: The Pilot.” Two shows consisting of four readers apiece will take place in Los Angeles, and performances will be judged by a killer lineup including such notables as Susan Orlean, Michael C. Hall, Moby and Tig Notaro. Full event details can be found here. For what it’s worth, I still rank Matt Gajewski’s LDM performance as my all-time favorite, so Beau Sia, Simon Rich, Daniel Alarcón and company have their work cut out for them.