Looks like Joan Didion’s 1977 novel A Book of Common Prayer will now be adapted for the screen.
A Film of Common Prayer
It’s Always Sunny in Philadelphia
Fans of Seinfeld and Arrested Development might be interested in It’s Always Sunny in Philadelphia, a comedy about a band of hapless, self-interested pub owners in which slapstick hijinks obscure the fact that nothing much ever happens (for example: a wheelchair race/brawl in a mall between two characters pretending to be handicapped to get girls). The first episode of the fifth season premiers this Friday but you can watch past episodes free at FX.
Impolitic
Is all literature political? Is this political? Are you political?
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1,000 on Twitter
Cheers to @Selorian for becoming the 1,000th follower of @The_Millions on Twitter.
Bellow’s Heir
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
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Life on Mars
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
“Jawline of an aircraft carrier”
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
Dialing Down the Queasy
In 1998, Matthew Stokoe kicked off his career as a novelist with Cows, a stomach-turning book set largely in the confines of a slaughterhouse. Now, Stokoe has written a book with a somewhat ironic title, considering it dials down the obscenity in comparison to his early work. Drew Smith interviews the author over at Full-Stop.
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