It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.
Book Riot offers a step-by-step guide to making your own book covers out of paper bags. Not saying this was a thing we did as kids, particularly when jacket design didn’t meet expectations – a certain Dover edition of the Francis Hodgson Burnett classic A Little Princess comes to mind – but not not saying that either.
There’s a lot of (justified) talk about the power of reading, but simply owning a book can be meaningful. Mabel Rosenheck considers Walter Benjamin‘s perspective on book ownership – “[it] is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them.” – and her own experiences with book collecting in San Francisco in an essay for The Toast. Pair with Anne Fadiman‘s essay on relationships, books, and relationships with books, “Marrying Libraries.”
Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.