At Bloom this week, check out the multi–part feature on Spencer Reece‘s poetry project at an orphanage in Honduras, which includes a documentary film for which singer-songwriter Dar Williams is composing/performing the soundtrack. Watch an exclusive two-part video interview with Reece and Williams about their friendship and collaboration.
“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
Tired of all this business about the Royal wedding? Try learning about the five easy (even free!) ways you can support The Millions instead. Ta!