At Bloom this week, check out the multi–part feature on Spencer Reece‘s poetry project at an orphanage in Honduras, which includes a documentary film for which singer-songwriter Dar Williams is composing/performing the soundtrack. Watch an exclusive two-part video interview with Reece and Williams about their friendship and collaboration.
Peter Jackson, beloved director of The Lord of the Rings movies, has turned his talents to an adaption of a very different book. He has directed a film version of Alice Sebold‘s The Lovely Bones (see the trailer here), the story of a young girl who is murdered and looks down on her family and killer from heaven. Saoirse Ronan will play Susie Salmon, the novel’s heroine. Ronan is perhaps making a career of cinematic adaptions of novels–she was nominated for an Oscar for her performance as Briony Tallis in last year’s film version of Ian McEwan‘s Atonement. Susan Sarandon, Rachel Weisz, and Stanley Tucci also star.
Masha Gessen (who recently agreed to write a book on the Boston bombers) told a journalist in New Zealand she’s “probably” moving out of Russia. Why? “It’s one thing to bring up your kids in a place that’s risky and difficult; I think in many ways it’s enriching them, and I’m glad my kids have that experience,” she said. “It’s another thing to bring up your kids in a place that’s hopeless. “
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.