HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
Two Two-Initialed Critics Discuss Tolkien’s Work
John Berger, In Memoriam
The British critic, essayist, and novelist John Berger died yesterday at his home in France, reports The New York Times. Probably best known for his book of art-criticism-as-philosophy Ways of Seeing, which was turned into a popular BBC series and sold more than a million copies, Berger also won the Booker prize for G. in 1972 and was nominated again in 2008 for an epistolary novel, From A to X. The Guardian has rounded up some of his quotes, including the apt-feeling “[h]ope is not a form of guarantee; it’s a form of energy, and very frequently that energy is strongest in circumstances that are very dark.”
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Before “Once Upon A Time”
George Dobbs explores the history of some common cliches for The Airship and makes an elegant argument for being aware of overused phrasing: “The worst fiction might never go beyond widely used tropes, but the best fiction starts with an awareness of them.” We agree, and also hope never to read “It was a dark and stormy night…” again.
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Let’s Not Get Started on the Lightbulb
“Miguel is pulling an all-nighter at the library to finish a history paper. If Miguel’s computer is operating on Microsoft Word 2003, how many useful suggestions does Clippy have between the hours of 8 pm and 3 am?” Introducing Microsoft Word Problems.
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Julian Assange Opens for M.I.A.
Now this is one of the strangest things to happen at a concert in a while: M.I.A. kicked off her tour to promote her new album Matangi by getting Julian Assange to open for her at Terminal 5. The Wikileaks founder spoke to the audience via Skype.
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Global Fame for a Literary Icon
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
1. I think saying there are 250 points there is very generous. 2. Very generous indeed. 3. In fact, the formatting is more irritating than anything.