HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
“Kindness cuts through the rest. And it’s a reminder for us all to reach out. Write that sweet note. Make that loving phone call. Because you never know what will stick.” Here is the follow-up to Julienne Grey’s fantastic New York Times piece “My Mother is Not a Bird,” courtesy of Electric Literature.
One Goodreads vigilante has created a master list of authors notorious for responding immaturely or meanly to negative reviews of their work. Elsewhere, iDreamBooks, a new Rotten Tomatoes-type service, was launched. The site aggregates critics’ book reviews and shows you what to read next.
“Stop smoking, first of all, and then don’t hold your breath, don’t cough, do not for any reason pick up heavy packages, boxes, suitcases. Never lean over, or dive headfirst into water. The carnal throes of passion were forbidden, because even an ardent kiss could cause my veins to burst.” At long last, Lina Meruane’s semi-autobiographical novel Seeing Red has been published in English. Meruane has long been hailed as one of the most brilliant South American writers that American readers had probably never heard of.
“It was astonishing. Utterly astonishing. Everyone of them seemed . . . entranced by him.” Sometimes older books get a second life given contemporary contexts; such is the case with Sinclair Lewis‘s 1935 It Can’t Happen Here, reports Time. The book, which was written as Hitler came to power, has sold out online. See also this New Yorker piece about a recent stage adaptation of Lewis’s semi-satirical novel.
The L.A. Times Book Prize finalists for 2013 have been announced. The five finalists in fiction are: Percival Everett’s Percival Everett by Virgil Russell, Claire Messud’s The Woman Upstairs (also see her Year in Reading post), Ruth Ozeki’s A Tale for the Time Being, Susan Steinberg’s Spectacle, and Daniel Woodrell’s The Maid’s Version. The winner will be announced on April 11.