HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
The media world is abuzz about a former Harper’s Bazaar intern suing parent company Hearst for allegedly violating labor laws for not paying her (With reactions ranging from “She’ll never work in this town again.” to “Good for her. It’s about time!”). At least she didn’t get sucked into HuffPo’s aggregation turbine.
It was shocking to find that New York Times correspondent Anthony Shadid had died, of an asthma attack of all things, while reporting in Syria, especially when he’s put himself in harm’s way so many other times and emerged unscathed. Tyler Hicks, the Times photographer who was with Shadid when he died and who escorted his body out of Syria was, along with Shadid, among of the four journalists captured and held in Libya less than a year ago in the early days of the uprising there. Shadid’s reporting was brave and essential there and elsewhere. His death comes just weeks before the release of a memoir, House of Stone: A Memoir of Home, Family, and a Lost Middle East.
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”
A couple weeks ago, Darcey Steinke wrote an essay for The Millions in which she remembered her friendship with Barry Hannah. She went into detail about the freewheeling energy of his prose. Now, in a review of Steinke’s latest for Bookforum, Lisa Locascio writes about the author’s own talents. “Many authors bounce the sacred and profane against each another; Steinke blasts them together with the intensity of CERN’s Large Hadron Collider (LHC),” she writes.
“Notice how Malbecco, as Gelosy, lives outside of time, a death-in-life: he can ‘never dye, but dying lives.’ In other words, embrace a quality entirely—even, I would argue, a less pejorative quality, like hustle—and it overmasters you. You’re doomed.” Rowan Ricardo Phillips, basketball columnist for The Paris Review, on Edmund Spenser, hustle, and the New York Knicks.
The word “nostalgia” comes from the Greek root nostos, meaning “return home,” and algos, or “pain.” It’s painful because we cannot return home again. Ramp up the nostalgia and check out this elegy to the old school book tour by Keith Lee Morris. If we’re talking book tours, here’s a piece on the distinct personality types sure to derail your literary event.