“[Maria] Bamford’s newest show…is a more polished product, but equally radical—as unsettling as anything Andy Kaufman ever did.” Is the Internet the comedy world’s final frontier?
Another day, another LARB piece about reading Russian fiction in conjunction with the Winter Olympics. (One particularly interesting earlier installment is over here.) Meanwhile, I offer a compendium of passages from the Russian masters, and use my favorite #SochiFails to illustrate them.
Believing that high quality TV dramas have supplanted silver screen blockbusters, and now rival novels as “the best way of widely communicating ideas and stories,” Salman Rushdie is set to pen a science fiction series for Showtime. The show will be called “The Next People.” Yet while he’s cited “The Wire” as a source of inspiration, the novelist also backhandedly referred to it as “just a police series.” (A stance he defended on Twitter.) Controversial? Perhaps. But still nothing compared to him calling “Game of Thrones” “very addictive garbage.” Later on, when asked by Vulture to list some of his favorite TV shows, Rushdie curiously counted “Entourage” among them.
“Every single book or painting or piece of music exists and we take from it what we need and love and shape it into another narrative that goes out into the world or stays within us, so it’s this great thing of one narrative piling onto the next. It’s hard to define.” Miriam Toews talks with The Rumpus about her novel All My Puny Sorrows and the distinctions, or lack thereof, between autobiography and fiction.
Out this week: The Familiar, Volume 1 by Mark Z. Danielewski; The Green Road by Anne Enright; The Book of Aron by Jim Shepard; The Edge Becomes The Center by DW Gibson; The Daemon Knows by Harold Bloom; How to Start a Fire by Lisa Lutz; Girl at War by Sara Novic; The Subprimes by Karl Taro Greenfeld; and City by City, an essay collection edited by Keith Gessen and Stephen Squibb. For more on these books and other new titles, go read our Great 2015 Book Preview.
The VQR‘s last issue, “The Soviet Ghost,” was one of the most heart-wrenching reading experiences I’ve had in a long time. Now it’s got a series of video interviews with Chernobyl workers to seriously depress (and also greatly inform) you all over again.