“[Maria] Bamford’s newest show…is a more polished product, but equally radical—as unsettling as anything Andy Kaufman ever did.” Is the Internet the comedy world’s final frontier?
Recommended reading: one essay on George Orwell‘s stomping grounds on the Scottish island where he wrote 1984 in the throes of a tubercular fever, and another on the tiny Indian town of Motihari where he was born.
Largehearted Boy has put out an updated installment of his “Blogs to Read.” This year, he modified his approach to include collectively authored sites, “to better include the collaborative websites I read every day.” The Millions is included as are a number of other excellent sites.
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
A Mississippi school district has decided to pull Harper Lee‘s To Kill a Mockingbird from its junior-high reading list because it “makes people uncomfortable.” The novel, which frequently tops the American Library Association’s “Frequently Challenged Book” list, tackles racism. See also: an essay on the symbolism of mockingbirds.
“How is it possible that a smallish army of discerning readers agree that Jim Harrison is one of the few truly great living American writers, yet he has not gotten the wider audience—or the widespread praise—he so plainly deserves?” Our own Bill Morris has some theories.