The Southern Review’s New Digs
Annals of fashion history
On Fred Perry and Lacoste tennis shirts: “Two shirts named after athletes who excelled in a sport that is generally played and enjoyed by people with the leisure and money for expensive lessons and court time.”
Working-Class Heroine
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
Resting On One’s Imaginative Laurels
Etgar Keret is a rising (if not risen already) literary star, but these days, following the publication of his new collection Suddenly, a Knock on the Door, “he seems to be growing complacent, bored even, with his talent,” writes Joshua Furst.
A Not so Steamy First Time
Jesse Bering on his incredibly inelegant first time writing about sex. Cf. his most recent adventures of writing about sex, his new book Why is the Penis Shaped Like That?.
The Oddity
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
Also Need a 4-Wheel Drive
Must be willing to perform “light, household maintenance.” Harry Bliss, an illustrator and cartoonist at The New Yorker, has purchased the former home of J.D. Salinger and will turn it into a retreat for one lucky cartoonist during February 2017. Pair with our review of J.D. Salinger: A Life, a comprehensive biography of the famously reclusive writer’s work.
Flournoy on Ellison
Year in Reading alum Angela Flournoy writes about Ralph Ellison’s Invisible Man for the National Book Foundation. “I return to Invisible Man often because it accomplishes so many things at once, but never at the sake of intelligent, moving storytelling.” Pair with our interview with Flournoy.