“The continued publication and popular packaging of [Roberto Bolaño’s] incomplete work may actually be diluting his reputation as a writer of varied talents and fearless ambition.” Sam Carter is wary of The Roberto Bolaño Bubble.
The Roberto Bolaño Bubble
Translation Issue
The translation issue of The White Review is out, featuring an interview with Fiston Mwanza Mujila and a brilliant new story by Eka Kurniawan, translated by Annie Tucker.
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The Deepest Feeling
“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
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Book Business Savvy
The bookstore business is supposed to be dying, but Ann Patchett begs to differ. She discussed her independent shop, Parnassus Books, and the future of bookstores for The Daily Beast’s “How I Write” series. “I can’t remember the last time I was in a bad bookstore. The future of independent bookstores is strong. We need to be small. The day of the 30,000 square foot bookstore is over, but the day of the 3000 square foot bookstore has arrived.” Patchett was also interviewed for The New York Times “By the Book” series, where she said Charlotte’s Web had such an impact on her as a kid that she got a pet pig and became a vegetarian.
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Reflecting on Time During Quaratine Reading
Parul Sehgal examines time through the writing being produced during the pandemic, as well as the books she reads (and re-reads).
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“Blake was all bullshit except for the bomb.”
Millions contributor Nick Ripatrazone – who’s recently written for us about college football and the art of the novella – has new fiction up at storySouth.
Spiegel & Grau turns to indies for help
Shaken by scathing reviews from The New York Times and The Washington Post, Yann Martel‘s publisher turns to independent bookstores for help.
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A needed perspective, although the Bolaño Legacy argument makes more sense than the “He’s taking the space of other translated works in NA” one. He might take up a greater part of the literary conversation, but I’m not publishers would necessarily be translating more Latin-American fiction if Bolaño’s posthumous works weren’t around.
People are finally figuring this out? They’ve been churning out subpar Bolano collections for years, much of it mindlessly repetitive.