“She was to me and so many poets an exemplary and inimitable figure. And I mean to emphasize the tension between ‘exemplary’ and ‘inimitable’—what her example taught us was the necessity of going our own way, of being one with others.” Ben Lerner remembers C.D. Wright, who passed away earlier this week.
“There used to be a time when people read literature to confront stuff. To experience things vicariously—whether it’s a forbidden scene or a forbidden idea. I think now we’re looking to literature for an escape from that. I’m not sure why that is.” Guernica interviews Marlon James, whose most recent novel A Brief History of Seven Killings was reviewed on the Book Report.
“It helps to be nobody if you want to be somebody.” Over at The Daily Beast, Ted Gioia takes a look at what he calls the new cult of the anonymous artist. From the famously infamous graffiti artist Banksy to the enigmatic Italian novelist Elena Ferrante, there is certainly no denying that, whatever the reason, anonymity is “in.” Here’s an older Millions essay that takes a look at Banksy, obsession, and the sea.
New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard’s contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.