When authors tweet: the cautionary tale of Brett Easton Ellis.
Recommended Viewing: Toni Morrison spoke with Junot Díaz at the New York Public Library last week, and the organizers were good enough to record the entire conversation and put it online. The talk begins at the 40:09 mark, so you can either fast forward or click this link right here.
Geoff Dyer is fond of taking potshots at literary academics. He devotes considerable time in one of his novels to a professor whose speech at a conference goes off the rails. Which is why it’s odd that, in mid-July, the author showed up at a conference devoted to — what else? — his own work. (It’s apropos to point out here that our own Mark O’Connell wrote a great essay for Slate about Dyer.)
Read about Hitler’s vacation homes and how they shaped his image via propaganda in an excerpt from Hitler at Home by Despina Stratigakos at The New Republic. We reviewed Ben Urwand’s book The Collaboration: Hollywood’s Pact with Hitler, which discusses other propaganda surrounding the Nazi regime.
We all probably had the humiliating experience of reciting a poem in high school. Yet at Salon, Nina Kang believes that memorizing poetry is a lost art. She blames the loss of the discipline on our tendency to skim and new poetry’s seeming aversion to memorization. “Writers actively fight against the appearance of artifice, and often instead strive for an informal, offhand tone, with that hint of clumsiness that lends a certain authenticity to the voice. It turns out this is a quality that makes the reciter’s job that much more difficulty.” Here’s our take on the lost art of recitation.