“At its core, the New York newspaper strike was a battle over technology. The 1950s and 1960s saw the emergence of computerized typesetting systems that would revolutionize the newspaper composing room…Today, new technology is again shaking American newspapers as the Internet drains away more and more advertising revenue. Cities with dailies may soon face a newspaper blackout much darker than what New York experienced a half-century ago. For a brief period, New York was a laboratory that demonstrated what can happen when newspapers vanish,” writes Scott Sherman at Vanity Fair.
Print Culture
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Literary One-Hit Wonders
Second Act lists the renowned literary one-hit wonders, including John Kennedy Toole, Sylvia Plath and Ralph Ellison. (via AuthorScoop)
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On McElroy’s Cannonball
John Domini reviews Joseph McElroy’s Cannonball in the pages of Bookforum. In our Great Second-Half 2013 Book Preview, our own Garth Risk Hallberg wrote that, “this, his first novel in many a moon, concerns the Iraq War, among other things, and it’s hard to think of an author more suited to reimagining the subject.”
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Magical Listening
At Salon, Kyle Minor listens to an audiobook recording of Joan Didion's Salvador and finds that it remains "immediately relevant to a new reader whose memory of its context is more the kind of memory that arises from having read books about history than one that arises from having been old enough in 1983 to understand the meaning of phrases such as death squad, or body count, or mechanism of terror."
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Shoot First
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark's The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
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