In 1936, The Colophon, a now-defunct quarterly for book collectors, asked its readers to list ten authors “whose works would be considered classics in the year 2000.” Their first six answers hold up. The next four? Not so much.
Predictions from the 1930s
Zazen!
Congratulations are in order for Vanessa Veselka: PEN American has awarded her debut novel Zazen the Robert W. Bingham Prize. I first heard about the novel last year, from what was then the brand-spanking-new LARB, though this Minnesota Public Radio profile of Veselka is also a great way to get acquainted with her exciting talents.
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Tuesday New Release Day: Waldman, Kline
A pair of debuts are making waves this week. Amy Waldman’s The Submission ponders an alternate present in which a Muslim man is the anonymous winner of the search for a design to build the 9/11 memorial at Ground Zero. Ernest Kline’s Player One is a “genre-busting,” pop culture-infused take on the virtual reality future that awaits us.
Born in Translation
Is the global literary marketplace changing the way that novelists write? Over at Public Books, Dora Zhang writes on Rebecca Walkowitz’s Born Translated and books that “appear simultaneously or nearly simultaneously in multiple languages.” Pair with this Millions piece on literary translators at work.
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What Does The Shining Mean?
Mark Jacobson wades through the history and fan theories concerning Stanley Kubrick’s The Shining in an effort to uncover the film’s true meaning. For what it’s worth, this explanation of the flick has always hurt my head the most.
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#workingonmynovelaboutyournovel
Cory Arcangel‘s Working on My Novel is composed solely of tweets from people who (one is led to assume) are engaged in the singularly tragic enterprise of writing books that, unlike Working on My Novel, will take years to complete, yet won’t be published by Penguin or noticed by The Paris Review. Oh, the meta-irony. And now I’ve just honored it with a Curiosities post.
The Patriarch
This week, Richard Ford published his first novel in a while to feature Frank Bascombe, the protagonist of his Pulitzer-winning book The Sportswriter. At Salon, our own Lydia Kiesling posits a through-line from Bascombe to a certain TV gangster, arguing that The Sopranos shares its view of manhood with Ford’s novels. You could also read our own Michael Bourne on Ford’s 2012 book, Canada.
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None of George Santayana’s work is considered classic? That’s news to me.