In 1936, The Colophon, a now-defunct quarterly for book collectors, asked its readers to list ten authors “whose works would be considered classics in the year 2000.” Their first six answers hold up. The next four? Not so much.
"The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed... It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google." From The Guardian, a look at "fiction in the age of data saturation," with a healthy dose of anthropology thrown in just for fun.
"Perhaps this is why King favors prose—many of his novels and stories confront terror so enormous it transcends poetic language." In Poetry Foundation, an essay about Stephen King's little known literary habit: writing poetry. Pair with: our editor Lydia Kiesling on discovering America through King's novels.
Mama Hope, a group that works with local African organizations "to connect them with the resources required to transform their own communities," has released a great promo featuring four young men who are tired of Hollywood's African stereotypes. Their complaints are reminiscent of those enumerated in Binyavanga Wainaina's classic essay "How to Write about Africa," and also in Laura Seay's great article from last week, "How Not to Write About Africa."