“What happens when everyone’s a poet?” asked Marjorie Perloff in the Boston Review. Now, Mike Chasar and Jed Rasula debate what that popularity might actually mean for contemporary poetry.
Populist Poetics
Google Books. Literally.
“What would be the consequences,” asks Charlie Stross, “if a large internet corporation such as Google were to buy the entire publishing industry?” Would such a buyout “amount to a wholesale shift to a promotion-supported model for book publishing?”
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Holy Order in Remote Places
The last book that Genevieve Hudson for The Rumpus loved was James Salter’s classic of mountaineering, Solo Faces. Here’s an essay from The Millions on why Salter was one of the best at writing sex.
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The ‘I’ has to become ‘you.’
A great profile of Adam Gopnik and his work as an essayist in the Ryerson Review of Journalism.
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The Rebellious English Major
In last week’s Brandeis commencement speech, Leon Wieseltier argued that never has there been a moment in American life when the humanities were respected less but needed more. “In recent years I have come to regard a commitment to the humanities as nothing less than an act of intellectual defiance, of cultural dissidence,” he said.
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Writing for Airports
Evidently, Alain de Botton has recovered from the unfavorable New York Times review of his latest book, The Pleasures of Sorrow and Work, for which he excoriated reviewer Caleb Crain, claiming that Crain “killed [his] book in the United States.” De Botton was just named Heathrow Airport’s first writer-in-residence. During his week tenure at a desk in Terminal 5, he will record his observations in “real time,” with his typing appearing on a screen behind him. Afterward, the entries will be collected and published as a book, A Week at the Airport: A Heathrow Diary.
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