“What happens when everyone’s a poet?” asked Marjorie Perloff in the Boston Review. Now, Mike Chasar and Jed Rasula debate what that popularity might actually mean for contemporary poetry.
Populist Poetics
Tuesday New Release Day: Thompson, Stephenson, Adiga, McGinniss, Silverstein
New this week: Craig Thompson’s long-awated follow up to Blankets is here. Stay tuned for our review of Habibi later this week. Also new: Neal Stephenson’s Reamde, Aravind Adiga’s Last Man in Tower, Joe McGinniss’s much leaked exposé The Rogue: Searching for the Real Sarah Palin, and a new, posthumous collection of Shel Silverstein’s poetry and drawings, Every Thing On It.
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A Portrait of the Musician as a Young Man
James Joyce inspires a lot of English papers but not songs. Yet musician Casey Black based his song “Happiness” off of A Portrait of the Artist as a Young Man. With lyrics like, “So I walk the Dublin streets like they were passageways through my soul,” we think Joyce would approve.
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A Weary, Frumpy Civil Servant
J.K. Rowling’s new play will not, as everyone had imagined, be a prequel to the Harry Potter series. Instead, it will be a sequel, with the main action taking place 19 years after Harry Potter and the Deathly Hallows and focusing on Harry’s youngest son, Albus Severus. Here’s a self described “jaded, contrarian” take on Rowling and the series as a whole from The Millions.
Win Zak Smith’s Gravity’s Rainbow
The Quarterly Conversation is holding a contest for readers. They’ll be giving away a hardcover copy of Zak Smith’s illustrated Gravity’s Rainbow.
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Min Jin Lee and the Stories That Paved Her Path
Min Jin Lee looks back on the literature she grew up with and how it allowed her to see her own path to becoming a writer.
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Canon Fodder
I know, I know – another piece about “the canon.” This one, however, is sure to elicit a response one way or another. A sampling: “There are few (arguably no) female poets writing in Chaucer’s time who rival Chaucer in wit, transgressiveness, texture, or psychological insight. The lack of equal opportunity was a tremendous injustice stemming from oppressive social norms, but we can’t reverse it by willing brilliant female wordsmiths into the past. Same goes for people of color in Wordsworth’s day, or openly queer people in Pope’s, or …”