“A month ago, I touched a lock of Sylvia Plath’s hair.” At Tin House, Emma Komlos-Hrobsky examines the relationship between the late poet and her fans.
Plath People
Book Decor
Will books in white wrappers become this year’s deer head? At The New York Times: Physical books find new life as design objects.
Challenging the Able-Bodied Gaze
“I hate the idea that you must write every day because I really can’t do that. Sometimes the aching bones in my body will not allow it.” Electric Literature interviews three writers—Keah Brown, Esmé Weijun Wang, and Jillian Weise—about disability, publishing, and accessibility. From our archives: Wang’s 2016 Year in Reading entry.
The Plagiarist
“How I wish he’d stuck to being himself. Instead, he chose to be me.” How it feels to have one’s poetry plagiarized.
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The Irish Console The Irish
Over at Vol. 1 Brooklyn, Nick Curley prescribes “five passages from great Irish writers” as a means of coping with Notre Dame’s recent loss to Alabama in the college football BCS National Championship Game.
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Choose Your Own Literary Dystopia
Which dystopian future is right for you? Kurt Vonnegut’s? George Orwell’s? Margaret Atwood’s? Take Flavorwire’s simple quiz to find out!
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Tuesday New Release Day: Mandel, Caro, Freudenberger, Fountain, Bechdel, Coll
Our own Emily St. John Mandel’s new novel The Lola Quartet is out today. New Yorkers can see her (and some other Millions staffers) read on Sunday. Also out are Robert Caro’s latest installment of his LBJ biography, Nell Freudenberger’s The Newlyweds, Billy Lynn’s Halftime Walk by Ben Fountain, Are You My Mother? by Alison Bechdel, and Steve Coll’s oil industry exposé Private Empire: ExxonMobil and American Power.
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Treme vs. The World
“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
Ruin-Reading
Junot Díaz is at home discussing his native Hispaniola as he muses on the function of apocalypse – New Orleans, Haiti, and Japan – in our global media landscape.
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