Forget “Gangnam Style.” The next Korean musical craze should involve the sijo (pronounced “shee-jo”), a type of poem dating back to the 1300s, and, “up until the 20th century … was mostly composed and sung, not written and published.” You can listen to a performance of Yi Cho’nyön’s “Moonlight Pear Blossoms” over here.
Fans of Mary Karr's The Liar's Club and Cherry: At the New York Times Book Review, Susan Cheever describes Karr's latest memoir, Lit, as "the best book about being a woman in America I have read in years." michael kors outlet michael kors outlet online cheap michael kors handbags
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House's One World imprint on how we can actually achieve diversity in the publishing industry. "What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture." And he shares the origin story of how he started to work with Ta-Nehisi Coates.
In the Chicago Tribune, Julia Keller explains why all the year-end lists are a tiresome exercise: "What annoys and disappoints me, though, is the chilly retrospective nature of such lists. They drain all of the blood from the critic's job. They require a cold, methodical calculation of passions long past. They're about yesterday's yearning. Compiling them is a bit like trying to remember why you used to be in love with so-and-so." (Thanks, Laurie)
Alexandra Kleeman’s debut novel includes, among other discomfiting things, a series of fake advertisements for surreal women’s beauty products. The plot, which follows a proofreader named A, begins with the main character’s attempt to evade her roommate, and eventually brings A to join a “Church of Conjoined Eaters.” At Slate, Molly Fischer argues the book deftly captures our society’s weird treatment of femininity.