Zoë Heller’s takedown of Salman Rushdie in the NYRB may yet ruffle some feathers, but for now it’s nabbed the top spot on New York Magazine’s approval matrix.
Eric Harvey presents The Social History of the MP3 at Pitchfork: “So omnipresent have these discussions become, in fact, that it’s possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself.”
To date, Hercule Poirot, the Belgian detective created by Agatha Christie, is the only fictional character to get his own obit in the Times. At the LARB, Rumblr editor Molly McArdle looks back on Poirot, the very long-running TV series that ended on November 13th. (h/t The Rumpus)
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
“Maybe I [felt] a shift in responsibility when I had kids. I wanted the work I was doing, whatever it was, to be something that could be meaningful to them one day. That’s where the germ of the memoir came from. I thought that perhaps writing about my parents and where I came from would one day be helpful for my kids.” For Guernica, Christopher Kondrich interviews Tracy K. Smith about writing a memoir, the presence of David Bowie in her Life on Mars, and her reverence for the cosmic. Also check out Sophia Nguyen’s Millions review of Smith’s memoir, Ordinary Light.
The Virginia Quarterly Review launched their redesigned website this week, and it’s a sight to behold. To celebrate the occasion, the magazine has dropped its paywall through Valentine’s Day, so start exploring. I recommend starting with Kevin Young’s recent poem, “There Is a Light That Never Goes Out,” which he composed entirely out of song lyrics.