Zoë Heller’s takedown of Salman Rushdie in the NYRB may yet ruffle some feathers, but for now it’s nabbed the top spot on New York Magazine’s approval matrix.
In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.
Colson Whitehead says “Wow, Fiction Works!“The LA Times has a clip from the movie version of David Foster Wallace’s Brief Interviews With Hideous Men, directed by The Office star John Krasinski. (via)Carolyn writes about the real-life connection between Walker Percy and Bruce Springsteen.The Village Voice shows off the final results of its highly scientific system of determining New Yorker cartoonists’ batting averages.Cambridge Information Group, which owns Bowker, AquaBrowser, ProQuest, Serials Solutions and RefWorks makes an investment in LibraryThing.Vote in The 2009 Tournament of Books Zombie Poll.A book that has turned out to be so wrong it has become a collectors item (check out the prices): The Bush Boom: How a Misunderestimated President Fixed a Broken Economy
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.