“Or again, does a ‘newsagent’ really need to become a ‘news dealer,’ a ‘flyover’ an ‘overpass,’ a ‘parcel’ a ‘package,’ or in certain circumstances ‘between’ ‘among’ and ‘like’ ‘such as’?” How to sound American.
Mother Tongue
Silvertongued Wilson
Though Mark Twain first gained notoriety after publishing an essay about a famous jumping frog, the onetime Samuel Clemens didn’t really hit his stride until he became a public speaker, as the money he accrued from reading in front of audiences gave him a steady source of income. At Salon, Ben Tarnoff recounts Twain’s journey to the podium, one laid out more broadly in Tarnoff’s book about a group of San Francisco writers.
●
●
Tuesday New Release Day: McEwan; Moore; Patchett; Tea; Jufresa; Wayne; Silver; Frangello; Gottlieb; Karp; Collins; Kleeman
Out this week: Nutshell by Ian McEwan; Jerusalem by Alan Moore; Commonwealth by Ann Patchett; Black Wave by Michelle Tea; Umami by Laia Jufresa; Loner by Teddy Wayne; Little Nothing by Marisa Silver; Every Kind of Wanting by Gina Frangello; Avid Reader: A Life by Robert Gottlieb; This Vast Southern Empire by Matthew Karp; When in French by Lauren Collins; and Intimations by Alexandra Kleeman. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
●
●
A Terrible Beauty
One night in 1937, Avies Platt decided to attend a meeting of the Sex Education Society, held at London’s Grafton Galleries. When the meeting was over, she ended up driving none other than W.B. Yeats to the afterparty. In the LRB, she recalls her encounter with greatness.
●
●
Suspenseful Degree Program
City University in London is launching the UK’s “first creative writing masters dedicated to crime and thriller novels.” The degree program will allow 12 to 14 students to focus on crime writing, the UK’s second biggest genre, which raked in £87.6m in 2011.
From Wharton to Woolf
Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
●
●
Blue Nights
The secret subject of Joan Didion’s work has always been her troubled daughter. Her wrenching new memoir, Blue Nights, tells us why.