“Or again, does a ‘newsagent’ really need to become a ‘news dealer,’ a ‘flyover’ an ‘overpass,’ a ‘parcel’ a ‘package,’ or in certain circumstances ‘between’ ‘among’ and ‘like’ ‘such as’?” How to sound American.
Mother Tongue
Eugene Lim Faces the Transformative Power of Grief
Eugene Lim discusses his newest novel, Search History, which examines grief through his signature mix of the mundane and extraordinary.
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Drawing Autism
April is Autism Awareness Month, and a new paperback edition of Drawing Autism displays artwork created by artists all along the spectrum. You can take a look at some examples over here, and New Yorkers can hear from the book’s editor at the United Nations on April 2nd.
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The Great Vietnamese Novel(s)
“The literature by Vietnamese and Vietnamese-Americans is out there for anyone who knows how to use Google. But so many here and abroad would rather not know, or when a new Vietnamese author is published, would prefer to say, ‘At last! A voice for the Vietnamese!’ In fact, there are so many voices, for the Vietnamese people are very loud.” Pulitzer Prize winner and Year in Reading alumnus Viet Thanh Nguyen (The Sympathizer) writes in The New York Times about the diversity of Vietnamese writing, too often ignored in favor of war narratives and the voices of American veterans. (For an incredible syllabus of books to fill in the gaps, see the middle of his piece.)
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Very Secret and Odd
Recommended Reading: Søren Kierkegaard and Anna Akhmatova overheard whispering on a stairwell.
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In the Middle
A lot is written about artists just starting their careers, and about those artists with a lifetime of work to look back over, but in a piece for The Enemy Barry Schwabasky considers the difficulty of being somewhere in the middle of an artistic career. After all, “most artists do, for better or worse, live through what’s come to be known as their midcareer. It’s just that they don’t often do so with ease. … The middle of the journey sometimes seems to be all about losing the way.”
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Old Last Words
Last Friday was T.S. Eliot’s birthday, and to mark the occasion, Sadie Stein looked back on his 1965 Times obituary. As it turns out, it uses a phrase — now obscure — that was popularized by Nancy Mitford in the anthology Noblesse Oblige.
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Very, Very Direct
Ta-Nehisi Coates isn’t exactly sure why white people love his book so much. It is indisputable that they do love it, though; Coates’ Between the World and Me is a runaway bestseller and he is also the recipient of one of this year’s MacArthur Foundation “Genius grants.”