How to make magazine apps that aren’t completely terrible.
"There’s a deep tendency in our society to view mainstream status quo literature as having no politics, which is completely untrue. It has a very strong political value; it just happens to be conservative." Junot Díaz drops some knowledge in an interview with Vox. Pair with his Millions Interview from a few years back.
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. "I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism," she told The Rumpus.
Last week marked the release of The Heart is Strange, a new collection of John Berryman poems released to coincide with the centenary of the poet’s birth. At The Paris Review Daily, Dan Piepenbring digs through the magazine’s interview archives to find Berryman’s account of meeting W.B. Yeats. Pair with: Stephen Akey on Berryman's classic The Dream Songs.
"Ageists who want to fault millennials for the continual decline in literary reading are wrong to do so. Across the board, there wasn’t much considerable variation in the amount literature age groups read. Everyone is hanging out in the 39–49% range." Is America in the midst of a literary recession? According to the National Endowment for the Arts, 2015 marked the first year in 33 cycles of research that the percentage of adults who read literature had dropped below 45% to a dismal 43%.