Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
Louisiana: Where Music Was Born
Scent of a Woman
What happens when a grown woman wears a ton of Axe body spray? The question is nightmare fuel, but Slate’s Dahlia Lithwick — in what can only be described as a heroic act of journalism — doused herself in America’s most notorious fragrance for a week to see how it felt.
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Ayobami Adebayo: Rising Star
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it’s fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. “At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, ‘Oh my God, it’s publication day’ and I have a panic attack like ‘Oh my God, what have I done?’ I think the awareness of an audience is something I’m just coming into because this is a first book.”
Decadence and Poetry
“To say that late Victorian poetry is bleak would be akin to remarking that Wilkie Collins had a decent knack for plotting a novel. These poems are freighted with Gothic overtones, and it is not uncommon for some supernatural phenomenon to intrude upon what had started out as a seemingly harmless quatrain. We often encounter Death himself—or the Devil—who is something of a literary celebrity for the decadent poets. But what marks the best of these poems is that the outré is in service to something that we can think of as more desperate, and, wouldn’t you know, human.” Over at The Boston Review, an online-only essay looking at the peculiarities of Victorian decadent poetry.
Just let it be weird.
Mark Mann on going to the gallery and looking at art: “The fact is, nobody knows what art is or why people make it. This is blatantly disturbing.”
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The Rumpus Redesign
Everyone’s favorite scrappy San Fransisco literary web site, The Rumpus, has relaunched with a major redesign. Go over and poke around why don’t you? If you’re looking for a place to start, why not Roxane Gay’s recent essay on the New York Times Book Review section’s dismal numbers when it comes to reviewing books written by people of color?
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Nadia Owusu on Validating Each Other’s Experiences
Author Nadia Owusu gives voice to the grief of people of color—grief that is so often silenced, especially in the workplace.
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Poetry After the Windfall
The Chicago Tribune looks at Poetry magazine ten years after the tiny publication received an astonishing $200 million donation. How’s the magazine doing? “The answer is complicated.”
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