Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
Louisiana: Where Music Was Born
Doing the Academic Stuff
“You’re never going to write well for a wider audience if you think it’s less worthwhile, less difficult than doing the academic stuff.” Jo Livingstone interviews David Wolf, commissioning editor of The Guardian Long Read.
He Even Chose His Own Ending, In A Way
Some folks were abuzz this week about the release of all 47 endings to Ernest Hemingway’s novel A Farewell to Arms. That kind of commitment to a single story is impressive, and illustrates the author’s dedication to his work, but as Andrew O’Hagan points out in the London Review of Books, Big Papa loved no story so much as his own.
●
●
Digital Books for Kids
A literature-loving dad tries to make sense of the new frontier: Digital books for kids.
Tales of a Onetime Construction Worker
Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink’s novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
New Franzen in 2015
Sound the Franzen alarm! The Corrections and Freedom author will release a new book in 2015. Called Purity, the book will supposedly feature elements of magical realism (or something like it). Head over to Vulture for more.
●
●
If Shakespeare Was a Programmer
“While it’s easy to dismiss coding as rote exercise—a matter of following rules—it’s worth remembering that natural language is subject to rules of its own: grammar, syntax, spelling. The best writers test these rules, bend them, or break them outright, and in doing so they keep the language alive…. With that in mind, I wanted to apply the quirks and transgressions of the great authors to JavaScript, to see where that pushed the language.” Angus Croll imagines Shakespeare as a programmer in a piece for Quartz and in his book, If Hemingway Wrote JavaScript.
●
●