“The day is spent for the most part in a glorious solitude. Like the hunter who moves silently through the woods to check his traps, she moves through the library, cautiously avoiding those whom she knows. A single conversation would ruin the beauty and vastness of her silence. Today no such conversation occurs and she is happy.” Good luck not reading this narration of a graduate student’s life in the voice of director Werner Herzog, now. Here’s a great Herzog Millions piece, as well.
“[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con.” In Electric Literature‘s “Blunt Instrument” column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
Ever want to watch someone write a novel? Nows your chance. Sorta. Silvia Hartmann, UK author of thriller novels, is inviting readers to observe as she types up her next novel in a Google doc.
“It’s funny how as an author, I rarely notice what seems so obvious to other people: that I have obsessions and will write about them endlessly. Sad, lonely, self-loathing guy? Mid-20th and 21st century literature loves to write about that guy, and so do I. Reckless, self-aggrandizing, narcissist man? I like to write about him, too, though of course they are the same person. A person whose energy compels people to orbit him—family, friends, underlings, women.” The Rumpus talks with Woke Up Lonely author Fiona Maazel (who’s written for The Millions).
Is it possible to read fiction by an actor without thinking of them as the character that made them famous? It’s a question many people asked when reading James Franco, and it’s a question they’re likely to ask again when reading One More Thing, a new book of short stories by The Office star B. J. Novak. At Open Letters Monthly, Justin Hickey reviews Novak’s collection.
Back to the Future II originally featured a very different Doc Brown from the one that made the final cut. Behold Doc’s 1967 alias, his hippie parents, and his apparent affinity for motorcycles in this 147-page script (PDF) that was later re-purposed into the movie we know today. (The Bizarro Doc action picks up around page 90.)