Recommended Reading: “The Tiny Men in the Horse’s Mouth” by Matthew Olzmann for New England Review.
“It’s why the gift horse is a gift”
To the Edge of Sanity
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
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We Own the Internet
Looking to be a Content Generator for a Major Internet Website? Look no further than this piece from McSweeney’s: “We pay $15 per piece of content, whether it be a well-cited, thoroughly researched 5,000-word essay or ten captions under fair-use photos, so, y’know, more bang for your buck with the photos. Also no one reads essays, so win-win.”
Jason Segel’s DFW
Recommended viewing: a trailer for the upcoming David Foster Wallace movie, an adaptation of David Lipsky‘s memoir of his road-trip with the author, Although of Course You End Up Becoming Yourself, is now available online.
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Speed is Addictive
If you were like this writer when you were growing up, you knew — nay, believed — that Sonic the Hedgehog was better than Mario, full stop. At The Verge, Trent Volbe explains the Blue Blur’s greatness, including a sample from the Green Hill Zone soundtrack to illustrate the games’ sick bass grooves.
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Discussing Knausgaard
“Knausgaard‘s work is literary because of what it does, but not because of how it’s written. He gets us all asking…where does my truth really lie?” Recommended listening: James Wood, Meghan O’Rourke and Bill Pierce discuss Knausgaard in a podcast for Open Source.
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Agreeable Lives
Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you’ll probably appreciate this Paris Review elegy, which goes through Rose’s short life and the effect it had on her brother.
Well-informed ghosts
Kurt Anderson on the difference between writing a novel in first and third person voice: “Most third-person narrators are less like omniscient gods than exceedingly snoopy, well-informed ghosts. “
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