“Is This a Golden Age for Women Essayists?” Cheryl Strayed and Benjamin Moser debate in this week’s The New York Times‘s Bookends column. Pair their piece with Anne Boyd Rioux‘s Millions article examining gender equity and lack thereof in nonfiction writing.
At Page-Turner, our own Mark O’Connell notes “a thrilling obscenity” in the works of Gonçalo M. Tavares, a Portuguese writer whose recent novel, Jerusalem, depicts a character with schizophrenia. A lesser-known symptom of the illness, apparently, is a tendency to treat inanimate objects like conscious (and social) beings. (We wrote about Tavares back in March.)
“Everyone says Anna Karenina is about individual desire going against society, but I actually think the opposite is stronger: the way societal forces limit the expression of the individual.” Here is Mary Gaitskill on Anna Karenina for The Atlantic’s By Heart series, in which writers reflect on some of their favorite passages in all of literature. We’ve brought you a bit on By Heart here, here, and here.
The B.O.M.M. blog looked at our recent item Best American Short Stories: By the Numbers, in which we crunched some numbers behind the Best American Short Stories series, and created a nifty word map of the short story titles that appeared in the series from 1978 to 2008. “The most frequent word for a title (not including articles and such)? Life. It has appeared 9 times.” If anyone else decides to mine some interesting discoveries from the B.A.S.S. data, let us know.
When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.