“If culture is purely entertainment, nothing is of importance. If it’s a matter of amusement, an impostor can undoubtedly amuse me more than a profoundly authentic person. But if culture signifies more than this, then it’s worrying.” Sociologist Gilles Lipovetsky interviews the Nobel Prize-winning novelist Mario Vargas Llosa about the contemporary collapse between “high” and “low” cultures.
“People who shun new technologies will be viewed as passive-aggressive control freaks trying to rope people into their world, much like vegetarian teenage girls in the early 1980s.” Novelist Douglas Coupland (who popularized the term “Generation X”) previews his lecture “A radical pessimist’s guide to the next ten years” in the Globe and Mail.
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.