“If culture is purely entertainment, nothing is of importance. If it’s a matter of amusement, an impostor can undoubtedly amuse me more than a profoundly authentic person. But if culture signifies more than this, then it’s worrying.” Sociologist Gilles Lipovetsky interviews the Nobel Prize-winning novelist Mario Vargas Llosa about the contemporary collapse between “high” and “low” cultures.
Civilization of the Spectacle
Douglas Coupland on the Perils of the Near-Future
“People who shun new technologies will be viewed as passive-aggressive control freaks trying to rope people into their world, much like vegetarian teenage girls in the early 1980s.” Novelist Douglas Coupland (who popularized the term “Generation X”) previews his lecture “A radical pessimist’s guide to the next ten years” in the Globe and Mail.
●
●
Tilt-Shift Carnival
Jarbas Agnelli’s tilt-shifted images from Rio’s 2011 Carnival make the entire Brazilian city look like a bunch of animated, playful bath toys. I mean that in the most beautiful way possible.
●
●
Writer as Painter
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.
●
●
Spinal Tap
“Who is this woman?…What yoga DVD did she escape from?” Chloë Schama criticizes the recent trend in book covers featuring women with their backs turned to the reader, including Ian McEwan’s Sweet Tooth and John Irving’s In One Person.
●
●
●
●
Also, Empathy
Recommended Reading: In The Atlantic, Alaa Al Aswany shows how literature can inspire empathy by analyzing one word, “also,” in Dostoyevsky’s The House of the Dead. Al Aswany also has a new book out this week, featured in our latest New Release Day.
●
●