Frederick Douglass was one of the first people to use photography to control meaning. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American catalogues his many portraits and how they contributed to our perception of Douglass. Our own Edan Lepucki writes about the place of slave narratives in fiction.
“I can locate the remnants of two or three abandoned cars that haven’t moved in a year, a couple of defunct pay phones, several tire piles, and at least one trashed couch that doesn’t seem to be going anywhere.” Rob Walker on playing Pokémon Go in New Orleans’ Lower Ninth Ward.
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.
New out this week is Gryphon, Charles Baxter’s new collection of stories. Joseph McElroy also has a new collection of stories out, Night Soul. The latest McSweeney’s (featuring that fragment from an abandoned novel by Michael Chabon) is now available, and new in paperback is Peter Carey’s Parrot and Olivier in America. Many more new books to look forward to, of course, in our massive preview published last week.
On the rediscovery of Georges Perec‘s first novel, Portrait of a Man Known as Il Condottiere, a book “connected by a hundred threads to every part of the literary universe that Perec went on to create—but not like anything else that he wrote,” from the New York Review of Books.