“Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain,” Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.
Out this week: What Is Not Yours Is Not Yours by Helen Oyeyemi; Gone with the Mind by Mark Leyner; Innocents and Others by Dana Spiotta; High Dive by Jonathan Lee; Crazy Blood by T. Jefferson Parker; We Love You, Charlie Freeman by Kaitlyn Greenridge; Spill Simmer Falter Wither by Sara Baume; and The Best Place on Earth by Ayelet Tsabari. For more on these and other new titles, go read our Great 2016 Book Preview.
It’s hard to describe exactly who Delmore Schwartz was, for the simple reason that he did so many notable things. The man wrote poetry, edited The Partisan Review and The New Republic, and wrote a canonical short story at the age of twenty-five. In The Nation, Vivian Gornick makes the case for a new accomplishment, arguing that “Delmore Schwartz is to Jewish-American writing what Richard Wright is to African-American writing.” You could also read Gabriel Brownstein on life as a Jewish writer.