“A lot of writers are big readers. Very often, when you’re writing your day’s work, something you write will remind you of something that you read. And the thing that you read shines a kind of light on the sentences that you’re writing. So I think it would be very hard to write without having read a great deal.” Listen to Salman Rushdie chat with Paul Holdengraber about poetry, film, and his latest project. Liam Hoare writes on the implications of Rushdie’s fatwa.
A few days ago, our own Kaulie Lewis pointed readers to a LARB essay about Geoff Dyer, which nicely complemented a piece about the author our own Mark O’Connell wrote for Slate back in June. Now, at Full-Stop, David Burr Gerard suggests that Dyer’s strengths, which worked so well in Jeff in Venice, Death in Varanasi, may have hampered him in Another Great Day at Sea. FYI, our own Janet Potter reviewed the latter book for The Millions.
Peter Ackroyd, a man who T Magazine writer Jody Rosen calls “[an] insanely prolific, controversial and eccentric novelist and historian,” has published, at last count, nearly 6,500 pages of text. That incredible figure equates to more than fifty books, many of them with titles like Dickens: Public Life and Private Passions. (At present, he’s working on a biography of Alfred Hitchcock.)